American playboy Bernard Lawrence (Tony Curtis) has cleverly designed a system using the airline timetables to keep going three affairs with flight stewardesses. However, his life soon starts to descend into a shambles after the arrival of a friend, Robert Reed (Jerry Lewis), and a dreaded change to the flight order, whereby it becomes increasingly difficult to keep his three fiancées apart. Written by David Gibson {[email protected]} 　　Living in Paris, journalist Bernard has devised a scheme to keep three fiancées: Lufthansa, Air France and British United. Everything works fine as long as they only come home every third day. But when there's a change in their working schedule, they will be able to be home every second day instead. Bernard's carefully structured life is breaking apart. Written by Mattias Thuresson {[email protected]}

On a Boeing-737, a 39-year-old flight attendant, Vanina, tries hard to hide her obvious discomfort. Everyone seems genuinely worried about her while she goes on complaining about her new braces. She blames her mother for not taking care of her teeth when she should. However, her colleagues know: this plane carries her mother’s dead body to her hometown. When the turbulence becomes threatening, Vanina faces an urgent need to see her mother in what proves to be a last chance for reconciliation.

On a Boeing-737, a 39-year-old flight attendant, Vanina, tries hard to hide her obvious discomfort. Everyone seems genuinely worried about her while she goes on complaining about her new braces. She blames her mother for not taking care of her teeth when she should. However, her colleagues know: this plane carries her mother’s dead body to her hometown. When the turbulence becomes threatening, Vanina faces an urgent need to see her mother in what proves to be a last chance for reconciliation.

Eddie Huang of Huang’s World undertakes a first-person investigation into how Vice went from scrappy Montreal indie magazine to media giant. He interviews former contributors who were crucial to its rise and witnessed its downfall.

拉斐尔剧团 - 意大利舞台上最有建树的戏剧团体之一，1981年由克劳迪亚-卡斯特路西（Claudia Castellucci），罗密欧-卡斯特路西（Romeo Castellucci）和基亚拉-圭迪（Chiara Guidi）以及其他合作者创立。他们在最早的根据地切塞纳（Cesena）筹备并演出了一些作品。该剧团试图表现一种“戏剧如同艺术”的观点，戏剧和艺术一样，融合了各种艺术形式，所呈现的内容对各种感知开放。在意大利国内外参加了很多演出和艺术展后，从2002年至2004年在10个欧洲首都城市巡回演出了11幕剧“Tragedia Endogonidia”，体现了我们当代现实生活的悲剧经历。 　　导演/外景拍摄/剪辑：克利斯蒂亚诺-卡尔洛尼、斯黛法诺-弗朗切斯凯提 　　声音：斯科特-吉朋斯 　　制片：拉斐尔剧团、亚维农艺术节、柏林赫伯剧院、布鲁塞尔KUNSTEN FESTIVAL DES ARTS戏剧节、卑尔根国际电影节、贝那丁剧团、马赛Gymnase剧院、罗马欧洲艺术节、Odèon-Thèatre de l'Europe 　　参与单位：巴黎的秋季艺术节、斯特拉斯堡Le Maillon剧院、艾米利亚-罗马涅剧院基金会、欧盟2000文化计划 　　2002-2004年，彩色，227分钟，11 Episodes 　　悲剧《Endogonidia》是一个循环演出的舞台戏剧，有十一个不同的片断，与十个欧洲城市相关联。这是一个开放的表演体系，在三年里不断变化着，并不时地展现自己变化过程中的不同阶段。与第四幕所联系的布鲁塞尔，把新的形象引入悲剧中。这些人物和时间这个主题相关，这个主题不是抽象地想象，而是在人的年龄中生动的体现出来的。BR.#04在生命时间的范围内思考人类生命，主要探索人类世界的开端，人类的诞生，语言的开始和被时间的深渊所吞没等一系列谜语。《Endogonidia》的录像系列由卡尔洛尼和弗朗切斯凯提两位艺术家创作的十一个影视录像作品组成，两位艺术家通过他们数码技术，诠释这个悲剧的本质。目的并不在于纪实本身，而是创造其他令人深思的主题。

H.P. Lovecraft 小说改编.《活跳尸》导演“斯图尔特·戈登(Stuart Gordon)”和满月公司合作的一部冷门的惊悚恐怖片,大概讲述了;有个叫约翰的人意外的继承了一座豪华壮丽的城堡,这座豪华的城堡看似宁静却藏着很多秘密,这个城堡中还有一个长的极其丑陋的怪 物,怪物开始躲在暗处伺机攻击约翰和他的家人,这个怪物究竟是何人物,这座豪华的城堡和约翰的身世之间又有何关连呢？

Documentary about the development of the Boeing 747 jumbo jet. The 747 was a game changer; the airliner that revolutionised mass, cheap air travel. But the first, wide-bodied plane was (originally) intended as a stopgap to Boeing's now-abandoned supersonic jet. This is the remarkable, untold story of the jumbo, a billion-dollar gamble that pushed 1960s technology to the limits to create the world's most recognisable plane.

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

A dog that helped soldiers in Afghanistan returns to the U.S. and is adopted by his handler's family after suffering a traumatic experience.